10/6/2023 0 Comments Editready v 1![]() Heaps of features and improvements were added that were useful to about anyone, plus all those RAW formats this year. Over the last decade, we’ve done a lot to make EditReady the go-to transcoder for video professionals. ![]() You seem to notice our renewed efforts, as we’ve seen an inpouring of feedback since 🙏 Through it all, we've made sure to keep the simple interface and blazing-fast speed you've come to expect from EditReady. Since the EditReady team joined Hedge just over a year ago, we’ve added lots of new RAW formats - RED, ARRI, CanonRAW, Sony X-OCN, and ProRes RAW.Īt the same time, we've added Color Awareness - our log color science engine that makes working with RAW just as easy as any other format. Some MXF files previously transcoded with EditReady wouldn't load properly in EditReadyįix for an issue that truncated the last frame of some MXF files (thanks, David!)Īs the year ends, we're excited to ship our fourth major update to EditReady. If they can build on that idea and make the software truly codec agnostic (while maintaining the speed of course), then EditReady will be my encoder of choice for years to come.Recreate the source folder hierarchy on the destinationįaster transcoding when also scaling, on Apple Silicon (Thanks, Michael!)įix for a potential crash transcoding R3D footage on Intel Macs (Thanks, Dorian!)įix for playing back rewrapped HEVC files in FCPįixes a crash when opening new BRAW media with accelerometer metadata (Thanks, Akio!) To me, this shows that Divergent Media is getting on board with the idea of a unified encoder that can do just about everything, as opposed to multiple specialized encoding softwares for certain media types. They've even gone so far as to cannibalize one of their other popular apps (ClipWrap) in order to bring that functionality into EditReady. Though the feature set and compatibility was somewhat limited when EditReady launched roughly a year ago, the Divergent Media developers have shown that they're all-in when it comes to making EditReady the fastest, simplest, and most comprehensive media management solution out there for people who transcode lots of footage and deal with extensive metadata and color management. Fixes an audio issue with some Canon 5D files.Better support for working with large numbers (many hundreds) of AVCHD files.Ensures audio and video tracks match in length in Adobe Premiere Pro.Fixes audio track mapping for MXF sources.Fixes an issue with AAC audio tracks that misreport their channel count (some YouTube files).Better support for GoPro Hero4 timecode.Improved stability when working with AVCHD on Mac OS X 10.8. ![]() Here's the full list of added features and fixes in the 1.2.1 update. This effectively makes EditReady the best and fastest solution for professional management of Samsung NX1 h.265 footage. The big news in this update is that EditReady now supports h.265 (which the Samsung NX1 can shoot internally in 4K). Two weeks ago, Divergent Media released another update (version 1.2.1). Just in case you need a refresher on EditReady and what it can do, here are a few quick videos.
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